Us

Us works as superficial horror, masking subtle depth. Its logistics are fairly nonsensical, but the concept is scary and ripe for metaphors. Primarily, Us contemplates the duality of classism on both an individual and societal level, highlighting systemic divisions and our unacknowledged compliance. Plus, the protagonist exemplifies the inherent violence of classism: for some to have more, others must have less. Finally, since these divides are often arbitrary circumstances, Us exposes the illusion of "us" and "them". Beyond all this, Us provides killer lead performances, exciting twists, and a tasteful slasher tone. Thus, it delivers both consciously and subconsciously.

Technically, Us is strong and steady. The music gives unsettling motifs, mood setting, juxtaposition, and recontextualization of pop hits. Particularly, its use of "Good Vibrations" and "F*** the Police" contrasts Los Angeles realities. Meanwhile, the sound uses volume, nature, echoes, stings, and risers for symbolism. The editing weaves timelines, intercuts, and dissolves. The imagery uses motion, composition, reflections, shadows, lighting, focus, and colors. There are creepy production designs, fitting effects, tense directions, and skilled cast members. Overall, Us has detailed filmmaking that supports its heady material. Audiences should appreciate its craft and ambition.

Writing: 9/10

Direction: 9/10

Cinematography: 8/10

Acting: 9/10

Editing: 8/10

Sound: 9/10

Score/Soundtrack: 10/10

Production Design: 8/10

Casting: 8/10

Effects: 8/10

Overall Score: 8.6/10