Him

Introducing ideas of obsession, idolization, and dehumanization, Him's premise invites social commentary with deeper psychology. External stakes are clearly established. Yet, the drama is oddly stagnant. Despite being a two-handed character study, these leads have little depth beyond their symbolism. Even when the protagonist arcs, his choices feel underdeveloped. Meanwhile, the plot devolves into arbitrary sequences. This bleeds into the themes, muddling any insightful conclusions. Still, though its acting can be forced or one-note, it offers intense layers underneath charisma (surfacing with outbursts and vulnerability). Thus, Him has promising setup but unsolidified payoff.

Him's style often overshadows its substance. Although it fumbles tones, its direction is surreal. Extreme framing, shallow focus, garish lighting, and mounts build stylized imagery. Despite messy structure plus sputtering momentum, its editing consistently uses flashy flourishes. Maximizing subjectivity, the sound undeniably heightens the experience. Its eclectic music utilizes operatics, hip-hop needle drops, and ominous scoring. The production design conveys professional sports with occult undertones. Its cast has mild fame, but great fit as well as representation. The effects add (wonky) CGI, blood, stunts, and prosthetics for decent gore. Overall, Him bobbles its ambition.

Writing: 5/10

Direction: 7/10

Cinematography: 9/10

Acting: 8/10

Editing: 7/10

Sound: 9/10

Score/Soundtrack: 8/10

Production Design: 7/10

Casting: 7/10

Effects: 7/10

Overall Score: 7.4/10

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