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All of Us Strangers

Writer's picture: Gus KellerGus Keller


All of Us Strangers explores the subconscious. It considers themes of isolation, family, making amends, farewells, loss, love, grief, regret, abandonment, longing, forgiveness, redemption, acceptance, mental health, trauma, and intimacy. There's grounded yet dynamic dialogue, bittersweet arcs, surrealism, surprises, developed characters, tragedy, nuanced drama, nostalgia, wisdom, and honesty. The acting offers internalized sadness, vivid chemistry, raw vulnerability, cathartic release, old pain, questionable sanity, guardedness, growth, body language, and sincerity. Thus, All of Us Strangers is a melancholy and thoughtful meditation on emotion, psychology, and existentialism.


Technically, All of Us Strangers blends tones, genres, and realities. The imagery adds reflections, lighting, angles, framing, focus, spacing, and composition. Its dreamlike editing uses dissolves, layers, pacing, inserts, trails, montages, and hidden cuts. The sound has fades, split cuts, ambiance, emphasis, echoes, smash cuts, risers, distortions, and muting. Its music utilizes hypnotic scoring, diegetics, warping, and needle drops. The production design reinforces eras, symbolism, and emotions. Its cast offers immense skill and fit but limited fame. The effects are minimal but suitable. Ultimately, All of Us Strangers is an abstract yet authentic journey of pain and healing.


Writing: 10/10

Direction: 10/10

Cinematography: 9/10

Acting: 10/10

Editing: 10/10

Sound: 9/10

Score/Soundtrack: 9/10

Production Design: 8/10

Casting: 7/10

Effects: 6/10


Overall Score: 8.8/10

 
 
 

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