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Writer's pictureGus Keller

Argentina, 1985



Argentina, 1985 is a faithful tribute, an accurate legal drama addressing political landscapes, procedural demands, and personal threats. There's a clear protagonist who's grouchy and competent. Testimonial speeches are direct quotes, characters are grounded, the trial is the emphasis, family drama is minimal, and the narrative is honest. It's a bit generic but its restraint honors the important subject matter. Consequently, ideas of power imbalances, fascism, accountability, systemic corruption, and sacrifices for justice resonate. This is enhanced by the emotional, measured, tense, and endearing acting. Ultimately, Argentina, 1985 isn't widely dazzling but it's quietly dignified.


Technically, Argentina, 1985 is proper. Its informative visuals use framing, movement, lighting, focus, and composition. The music is formulaic but supports emotions. Its cast is relatively unknown yet they suit their roles. The effects are minor, but enhance the setting with digital touches and an explosion. Its production design offers authentic locations and subtle era stylizations. The editing energizes with jump cuts, inserts, whip cuts, match cuts, passing cuts, montages, superimpositions, and archive footage. Its sound adds punctuations with split cuts, smash cuts, muffling, layering, ticking, silence, rumbling, and risers. Overall, Argentina, 1985 is respectful and composed.


Writing: 9/10

Direction: 8/10

Cinematography: 7/10

Acting: 9/10

Editing: 8/10

Sound: 8/10

Score/Soundtrack: 7/10

Production Design: 8/10

Casting: 7/10

Effects: 6/10


Overall Score: 7.7/10

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