Crime 101
- Gus Keller
- 2 hours ago
- 1 min read
Despite a meandering plot (with contrivances), Crime 101 remains above-average. This is because its drama (albeit repetitive) explores relatable topics. Themes of classism, humanity, isolation, and identity are contemplated. Since resolution comes too easily while arcs have weak payoff (as internal conflicts are seldom challenged), its climax is disappointing. There are superfluous threads plus spotty dialogue. However, these shortcomings come in forgivable doses. Though the performances are often confined to one note, intensity, layers, and glimpses of vulnerability are communicated. Altogether, Crime 101 can be messy at its worst but maintains honorable intentions.
Technically, Crime 101's sleek craftsmanship offsets its overcommitments. Shallow focus, stark lighting, and a reflection motif shape the cinematography. A long runtime plus structural convolutions are mitigated by the editing's confident intercutting. Split cuts, action, and contrast create a visceral soundscape. Mood as well as tempo are regulated through its electronic musical score. Upscale Los Angeles settings are conveyed via the production design. Its cast has an impressive mixture of fame, fit, and prestige. The tangible effects suit the grounded atmosphere. Overall, Crime 101 is a well-refined thriller, even if it doesn't master all of its lofty ambitions.
Writing: 6/10
Direction: 7/10
Cinematography: 8/10
Acting: 7/10
Editing: 7/10
Sound: 8/10
Score/Soundtrack: 8/10
Production Design: 8/10
Casting: 9/10
Effects: 7/10
Overall Score: 7.5/10
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