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Friendship

  • Writer: Gus Keller
    Gus Keller
  • May 30
  • 1 min read


Friendship uses surreal absurdism as satire. Dissecting male intimacy into themes of social norms, acceptance, and ego, the story has deceptive substance around relatable emotions. Though the plot is extremely heightened (creating unpredictable dark comedy), it stems from personal drama. This peculiar combination yields an oddly existential mood. Confidently unique, this is all very disarming. If nothing else, it's different and daring. Its precise tone also depends greatly on the unconventional acting, blending intensity, layers, exaggeration, personality, and chemistry into something both animated yet vulnerable. Thus, Friendship conveys thoughtful messages in fresh ways.


Technically, Friendship's offbeat tone is perfectly felt throughout. Despite basic framing, its cinematography adds purposeful lighting, reflections, and movement. The editing offsets a shaggy structure with stylistic flourishes as well as sturdy momentum. Punches of risers, smash cuts, and muting inhabit the soundscape. Ranging from juxtaposing needle drops to dramatic scoring, the music often elevates scenes. Uncannily out of time, its production design's aesthetics underscore character personas. The casting places Tim Robinson in a lead role that only he could fulfill. Although minimal, its effects are helpful. Overall, Friendship is a fearless swing that broadens genres.


Writing: 9/10

Direction: 9/10

Cinematography: 7/10

Acting: 9/10

Editing: 8/10

Sound: 7/10

Score/Soundtrack: 9/10

Production Design: 8/10

Casting: 8/10

Effects: 6/10


Overall Score: 8.0/10


 
 
 

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