Dissecting public perception, identity, and violence, Joker: Folie à Deux is surprisingly meta. This is supported by the protagonist's motivated arc. However, its plot is a dry trial of an estranged antihero. Even though he needs help, he often shuns responsibility, agency, and charisma. Meanwhile, the side characters all dehumanize him, which is thematically relevant but further alienating. There's heavy exposition and noticeable contrivances. Still, everything culminates in tragic subversions that might linger with viewers. Plus, the acting is internal yet complex. Consequently, Folie à Deux deserves credit for its self-aware deconstruction, even if it's hard to relate to.
Folie à Deux is oddly surreal and monotonous at the same time. The imagery feels immersive, sickly, and cinematic all at once. Committed to an introspective pace, its editing struggles to mount much momentum. Utilizing distortions, voiceovers, and emphasis, the sound is enhanced by subjectivity. Intentionally rough, the music plays a central yet abstract role and frequently serves as juxtaposition. The production design is fittingly grimy and confining, but almost excessively so. Though Gaga and Gleeson are welcome additions, its cast still completely hinges on Phoenix. The effects include convincing stunts and average CGI. Ultimately, Folie à Deux is admirably unwieldy.
Writing: 6/10
Direction: 6/10
Cinematography: 8/10
Acting: 8/10
Editing: 6/10
Sound: 8/10
Score/Soundtrack: 9/10
Production Design: 8/10
Casting: 9/10
Effects: 7/10
Overall Score: 7.5/10
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