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Materialists

  • Writer: Gus Keller
    Gus Keller
  • Jun 18
  • 1 min read


Materialists repurposes rom-com tropes to examine self-worth. Shunning romanticism, it considers themes of cynicism in modern love. Incisive yet believable, the dialogue uncovers underlying truths while remaining relatably motivated. Perspectives, internal conflicts, and growth are realized within each central character. There's dry humor, earned relationships, and raw emotions. Meanwhile, the acting's chemistry anchors the experience. Though Johnson isn't the most charismatic, she naturally ranges from quiet layers to earnest vulnerability. Some might find its ending too rosy or its messages a bit obvious, but Materialists injects a crowd-pleasing formula with honesty.


Technically, Materialists is gentle. Through juxtaposition plus intimacy, its direction finds a sincere tone. Subtly composed, the cinematography combines minor movement with suggestive framing. Its editing is patiently paced, allowing emotions to breathe by lingering on shots. Likewise, the sound harnesses the power of minimalism. Via eclectic needle drops, atmospheric scoring, and elegant pianos, its music exhibits a specific voice. A clear NYC location as well as socioeconomic contrast are established in the production design. Its cast plays on the types of its famous leads. There are almost no effects. Consequently, Materialists gives a mature touch to broad appeal.


Writing: 9/10

Direction: 8/10

Cinematography: 8/10

Acting: 8/10

Editing: 8/10

Sound: 7/10

Score/Soundtrack: 8/10

Production Design: 8/10

Casting: 9/10

Effects: 6/10


Overall Score: 7.9/10


 
 
 

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