Murder on the Orient Express is fine entertainment, but it's also a missed opportunity. The cast is impressive, the director is skilled, and the source material is classic. Still, Orient Express lacks memorable pop and gets stale. First, while the broad story is intriguing and clever, the script details are repetitive and dry. Hercule's introduction is fun, but the supporting cast is rushed. Then, the mystery fizzles because Hercule's interrogations lack zeal. Plus, Hercule's conclusion isn't fully established, so the twist feels slightly unearned. Furthermore, the supporting cast is underutilized. Skilled actors like Colman and Dafoe have little to work with.
Technically, Murder on the Orient Express is good, but not great. Overhead shots and lengthy takes are engaging, but that variety is sparse. The production design is elaborate, but undercut by abundant CGI. Those effects enhance the location, but retro techniques would've supported the era. Next, the soundtrack is fitting, but slightly basic. Dynamic music could have invigorated the film. The sound design amplifies the atmosphere, but isn't surreal. Finally, the pacing and tone are monotonous. Although proficient, both fronts lack energy, keeping Orient Express from unquestionable success. Ultimately, the film is passable, but it fails to stand out.
Writing: 7/10
Direction: 6/10
Cinematography: 8/10
Acting: 8/10
Editing: 6/10
Sound: 7/10
Score/Soundtrack: 7/10
Production Design: 8/10
Casting: 9/10
Effects: 7/10
Overall Score: 7.3/10
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