Nobody 2
- Gus Keller
- Aug 16
- 1 min read
Nobody 2 is mixed. It advances the premise by establishing work-life drama, a promising genre subversion. However, it slumps into old formulas and abandons that setup. Some might argue that the protagonist arcs (finding meaning in incremental healing), but that's debatable since his behavior largely remains unchanged. Its plot becomes contrived plus cliche (with a try-hard villain), sinking the climax in total predictability. Still, its acting (primarily from Odenkirk) has solid physicality as well as layers (combining everyman with hyper-competence). There's dark humor, excessive side characters, and spotty dialogue. Thus, Nobody 2 feels undercooked after a strong beginning.
Likewise, Nobody 2's technicals start stylish before becoming somewhat muddled. Its direction utilizes juxtaposing tones while its set pieces range from tightly choreographed to forgettable. Despite brisk pacing, balanced action, and a concise runtime, the editing increasingly loses momentum. Exaggerated distortions plus abundant combat heighten the soundscape. Though its scoring is generic, the music is elevated by contrasting needle drops. Its production design conveys a small-town Midwest vacation setting. Odenkirk's against-type fit anchors the cast. Its effects offer stunts, makeup, mediocre CGI, and some pyrotechnics. Overall, Nobody 2 is imperfect yet acceptable.
Writing: 4/10
Direction: 6/10
Cinematography: 7/10
Acting: 7/10
Editing: 7/10
Sound: 9/10
Score/Soundtrack: 8/10
Production Design: 7/10
Casting: 7/10
Effects: 7/10
Overall Score: 6.9/10
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