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Other Mommy

Writer: Gus Keller
Gus Keller
Oct 14
1 min read

Other Mommy has potential. Evoking themes of estrangement and honesty, its premise functions as a metaphor. Character flaws lead to relevant arcs. However, these virtues are devalued by a flat story. After a rushed setup, its script boxes itself in. The second act stalls, stringing together repetitive set pieces. Protagonists are underdeveloped, motivated by superficial generalities. In turn, it becomes plot-heavy and one-note despite its surprisingly substantive foundation. There are contrivances, plus the climax is oddly redundant. Though the acting boasts showy code-switching and controlled intensity, such moments are a bit sparse. Thus, Other Mommy doesn't coalesce.


Although stylized, Other Mommy seems chaotic because it employs techniques without clear purpose. Despite oners, lighting, POVs, and reflections, the imagery can come across confusing or overdone. Likewise, its editing utilizes details (like intercuts and match dissolves) but fumbles broader concepts (like structure and pacing). Consistently successful, the sound adds genre elements as well as subjective distortions. Its music is generically appropriate, while its cast is adequate around Chastain. The production design offsets surreal sequences with cliche settings. Ranging between convincing and uncanny, its CGI effects are patchy. Overall, Other Mommy feels fragmented.


Writing: 4/10

Direction: 5/10

Cinematography: 6/10

Acting: 8/10

Editing: 5/10

Sound: 8/10

Score/Soundtrack: 5/10

Production Design: 5/10

Casting: 7/10

Effects: 6/10


Overall Score: 5.9/10


 
 
 

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