Poor Things is a masterpiece. It has themes of control, sexuality, autonomy, inequality, innocence, humanity, awakening, abuse, sociology, and authenticity. There's deadpan comedy, precise dialogue, flavorful characters, accessible philosophy, embraced taboos, extensive arcs, and a high concept. The triumphant acting is committed, primal, genuine, humorous, physical, seamlessly evolving, vulnerable, fearless, ranged, and heartfelt. Some might find it problematic, but the protagonist matures at an accelerated rate and all the eroticism is purposeful. Overall, Poor Things is an absurd metaphor that uniquely delivers incisive commentary, sincere emotions, and psychological insights.
Poor Things is eclectic, cohesive, heightened, original, ambitious, and playful. The extreme imagery uses angles, framing, color, lenses, lighting, and focus. Its editing adds inserts, dissolves, cross cuts, chapters, smash cuts, and pacing. The sound offers split cuts, silence, perspective, atmosphere, and exaggeration. Its music is inventive, intentional, raw, and uncanny. The cast is deep, famous, skilled, and career-defining. Its surreal production design has artifice, world-building, aesthetic, motivation, retrofuturism, immersion, detail, and texture. The tangible effects utilize makeup, prosthetics, CGI, stunts, gore, miniatures, and cutouts. Poor Things is a parade of imagination.
Writing: 10/10
Direction: 10/10
Cinematography: 10/10
Acting: 10/10
Editing: 8/10
Sound: 8/10
Score/Soundtrack: 10/10
Production Design: 10/10
Casting: 10/10
Effects: 10/10
Overall Score: 9.6/10
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