Tetris has potential. Its legal thriller plot has clashing factions, multiple developments, and technical disputes. Egerton's performance offers charm, motivation, range, and chemistry. There's an emotional core, tension, humor, and gamer fan service. However, the script undermines itself because it avoids themes, hesitates the procedural, and has a generic climax. Biopics are inherently predictable but that's amplified by standardizing the immediate conflict rather than tying it to broader commentary. It's a shame because this story is entertaining (albeit repetitive) and the characters are relatable (though flat). Ultimately, Tetris isn't half bad but it's a missed opportunity.
Technically, Tetris has mismatched flavor. Its comedy and suspense tones never outright conflict, yet they don't synergize either. The imagery uses angles, lighting, motion, focus, and composition, but that isn't consistent or meaningful. Its sound has voiceovers, the production design establishes 80s Russia, and the cast is thin. Its effects add fun 8-bit transitions and embellishments. The editing utilizes brisk inserts, intercuts, freeze frames, montages, smash cuts, cross cuts, and action, yet the momentum can be clumsy. The era-relevant music blends the iconic game song with regional influences, pop hits, and synths. Overall, Tetris has fair pieces but it lacks a unifying message.
Writing: 6/10
Direction: 6/10
Cinematography: 6/10
Acting: 7/10
Editing: 8/10
Sound: 6/10
Score/Soundtrack: 8/10
Production Design: 7/10
Casting: 6/10
Effects: 7/10
Overall Score: 6.7/10
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