Extremely absurd yet extremely dry, The Lobster challenges social constructs. Its blunt dialogue, deadpan acting, and absent resolution are uncomfortable yet purposeful. The superficial characters parody society's simple-minded pressures. The contrast between its exaggerated premise and monotone delivery amplifies the strangeness of conformity. All this mocks how we stifle our spontaneity to fit into arbitrary norms. Meanwhile, its ambiguous ending allows viewers to consider their own values and come to their own conclusions. There's dark humor, implied world-building, and a precise tone. Consequently, The Lobster transforms abstract satire into offbeat entertainment.
The Lobster is perfectly calibrated. The cinematography is static with flat angles, only using spacing and slight motion to convey importance. Peppered with intercuts, inserts, and slo-mo, its editing is built around a dry, lingering pace. The sound leans on understated ambiance, key split cuts, and plot-integrated voiceovers. Its restrained music adds classical motifs for unsettling moods or comedic dramatizations. Stripping characters of their individuality, the production design emphasizes bureaucracy. Its cast is surprisingly deep with talent, fame, and fit. The effects amount to minor blood, makeup, stunts, and animal training. Overall, The Lobster is a singular statement.
Writing: 10/10
Direction: 10/10
Cinematography: 9/10
Acting: 9/10
Editing: 9/10
Sound: 7/10
Score/Soundtrack: 8/10
Production Design: 8/10
Casting: 9/10
Effects: 7/10
Overall Score: 8.6/10
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