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The Long Walk

  • Writer: Gus Keller
    Gus Keller
  • 2 hours ago
  • 1 min read
ree

The Long Walk unpacks the political and philosophical sides of humanization. Although its themes of authoritarianism, connection, and mindfulness can be belabored, each idea is honored. Its high concept yields a focused plot. The drama peppers external tensions with internal backstories. In turn, its characters are motivated while exposition remains concise. Similarly, its worldbuilding allows viewers to fill in the gaps. There's conversational dialogue, growth, and clear rules. It may be repetitive, melodramatic, and predictable, but forgivably so. Combining a range of layers with effortless chemistry, the acting elevates its material. Altogether, The Long Walk is sober.


Though sometimes corny or bland, The Long Walk solidifies a sincere tone. Despite unvaried framing, the cinematography has pretty lighting plus appropriate desaturation. Its editing's slow-burn pace is apt, yet its structure feels drawn out. Sporadic punches of action as well as subjective distortions enliven the soundscape. Punctuated by a juxtaposing singing of "America the Beautiful", its music is somber. Restrained but atmospheric, the production design blends retro dystopia with naturalism. Talented up-and-comers, purposeful diversity, and fit fill its cast. The effects display graphic violence yet feel excessively digital. Overall, The Long Walk is a worthy venture.


Writing: 7/10

Direction: 7/10

Cinematography: 6/10

Acting: 8/10

Editing: 6/10

Sound: 7/10

Score/Soundtrack: 7/10

Production Design: 8/10

Casting: 8/10

Effects: 6/10


Overall Score: 7.0/10


 
 
 

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