With smaller stakes and existential themes, The Wolverine puts emotions first. Yet its contrivances make an illogical plot and hollow drama. While it establishes the protagonist's internal struggle, nothing motivates his arc. He's not personally invested in the external conflict. This feels especially noticeable given the film's attempt to be a character study. There's clunky exposition, predictable formulas, excessive characters, cliche villains, a silly climax, underdeveloped relationships, and thin consequences. Still, the acting (besides the campy sub-villain and weak chemistry) brings intensity, physicality, and vulnerability. Thus, The Wolverine struggles to meet its potential.
Technically, The Wolverine is similarly torn. Its direction offers measured style but erratic tones. The cinematography uses movement, angles, focus, and varied lighting. Despite flashbacks and frame rates, its runtime is overlong and its momentum is clumsy. Distortions, genre elements, symbolism, risers, and layering create a rich soundscape. Its music adds atmosphere through regional influences. The production design struggles to blend a grounded sense of location with sci-fi components. Its cast provides solid representation, but its fame is limited to Jackman. The effects are abundant yet typical CGI. Overall, The Wolverine aims for substance but fails to fully commit.
Writing: 5/10
Direction: 6/10
Cinematography: 7/10
Acting: 7/10
Editing: 6/10
Sound: 9/10
Score/Soundtrack: 7/10
Production Design: 7/10
Casting: 8/10
Effects: 7/10
Overall Score: 6.9/10
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