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You Are So Not Invited To My Bat Mitzvah

Writer's picture: Gus KellerGus Keller


You Are So Not Invited To My Bat Mitzvah is acceptable. Its script is familiar and formulaic, but with a sizable amount of sincerity. There's blunt exposition, predictable tropes, and the ending resolves too easily (teetering on overly sentimental), yet none of that comes in unforgivable doses. Meanwhile, it has setup/payoff, progressive ideals, internal conflicts, lessons on friendship, relatability, complex characters and disputes, and mostly earned emotions. The acting is limited in its intensity/vulnerability, yet the effort is there along with chemistry, growth, layers, and charisma. Ultimately, Bat Mitzvah doesn't push any boundaries, but it's honest and competent.


Technically, Bat Mitzvah has moderate personality. Its tone is too light but the direction is proactive. The imagery adds focus, angles, framing, and dramatic motion. Its flashy editing offers montages, jump cuts, frame rates, dissolves, and spotty pacing. The sound uses voiceovers, volume shifts, smash cuts, risers, echoes, and silence. Its music is modern and fairly eclectic, yet overdone and obvious. The production design depicts school, church, and parties, but its wealth diminishes relatability. Its effects have minimal yet appropriate stunts. The cast has supporting fame and proper fit, but also a lot of nepotism. Overall, Bat Mitzvah wavers between generic and genuine.


Writing: 6/10

Direction: 6/10

Cinematography: 7/10

Acting: 6/10

Editing: 7/10

Sound: 7/10

Score/Soundtrack: 5/10

Production Design: 6/10

Casting: 5/10

Effects: 5/10


Overall Score: 6.0/10

 
 
 

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