Men is atmospheric, meaningful and emotional. Its protagonist (Buckley) is processing the trauma of a toxic relationship, yet she's haunted by constant echoes of that toxicity. With every interaction, Buckley is reminded of the enabled dehumanization that surrounds her. Men builds tension and drama naturally. It has capable characters, significant subtext, and consistent payoff. Notably, the final act becomes very symbolic and thematic, which will frustrate some viewers. Still, examining the trained inheritance of misogyny deserves recognition. Plus, the entire cast delivers. Specifically, Buckley ranges across anger, dismay, strength and resignation. Thus, Men is emotionally striking.
Technically, Men is beautiful. Its tone is unsettling, yet intimate. Visuals employ lighting, contrasting colors, confining composition, focus, reflections and creeping movement. Editing uses methodical pacing, synergized timelines, match cuts and surreal montages. Effects are intense and visceral. Lastly, the score and sound are driving forces. Folk songs, ominous choirs, and vulnerable pianos set moods. Meanwhile, ambient nature, abstract silence, J-cuts and echoing motifs underscore themes of heritage, disconnect and repetition. Overall, Men unites impressive filmmaking, deep emotions and weighty messages. Its manifestation won't please everyone, but its ambition is undeniable.
Writing: 8/10
Direction: 9/10
Cinematography: 9/10
Acting: 9/10
Editing: 9/10
Sound: 10/10
Score/Soundtrack: 9/10
Production Design: 8/10
Casting: 8/10
Effects: 8/10
Overall Score: 8.7/10
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