Tár is dense and precise. Its naturalistic story tackles themes of control, integrity, elitism, passion, ego, abuse, cancel culture, time, and art identity. The setup is subtle, but the redefining payoff makes Tár highly rewatchable. Its informed dialogue is difficult, but also fitting and wise. Character relationships give glimpses of vast depth. Furthermore, Blanchett elevates her weighty role to supreme levels. She shows meticulous mannerisms, commanding confidence, exact timing, deep layers (a performance of a performance), buried vulnerability, and versatile range as she shifts between lights. Ultimately, Tár requires concentration, but its ambition and execution are worthy.
Technically, Tár is rigorous. Its direction is minimalistic and observational, allowing viewers to interpret shining details. The tone climbs, its structure is emblematic, and its restraint maximizes its craft. Consequently, Tár feels both current and timeless. Meanwhile, the visuals use composition, space, lighting, and reflections to create an intimate yet empirical experience. Its pacing is deliberate, shifting from extreme length to jarring smash cuts. The sound design is narratively significant, adding symbolic ambiance and elusive imperfections. Plus, its music is diegetic, the production design is immaculate, and the effects are suggestive. Overall, Tár is an ideological symphony.
Writing: 10/10
Direction: 10/10
Cinematography: 10/10
Acting: 10/10
Editing: 9/10
Sound: 10/10
Score/Soundtrack: 9/10
Production Design: 8/10
Casting: 8/10
Effects: 6/10
Overall Score: 9.0/10
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