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Y2K

Writer's picture: Gus KellerGus Keller


Y2K's messiness squanders its amusing premise. Despite its catchy setting, it leans on predictable formulas. The underdeveloped protagonists are bland with empty arcs. This renders the drama disengaging while stifling overall investment. Meanwhile, the comedy is hit-and-miss. Its nostalgic gags are knowing but it kind of becomes a one-joke movie after a while. Plus, the writing often conflicts internally, clashing farce with sincerity. There's spotty setup/payoff, convenient plot devices, and muddled motivations. The acting offers decent humor and chemistry, but each performance is saddled with the script's unfocused emotions. Therefore, Y2K unfortunately feels underwhelming.


Technically, Y2K fails to harmonize its clunky tones. The imagery is mostly basic and sometimes unclear. Similarly, its editing overcuts the action while also lacking momentum despite a short runtime. Comedic split cuts, emotional distortions, and genre elements make a sturdy soundscape. Its music provides non-obvious needle drops but that can feel overdone at times. The production design emphasizes the era with plenty of pop culture references (plus some sci-fi world-building). Supplementing middling fame, its cast has up-and-comer potential, diversity, and cameos. The effects combine iffy CGI with fun practicals. Ultimately, Y2K turns interesting pieces into a mixed bag.


Writing: 3/10

Direction: 3/10

Cinematography: 4/10

Acting: 5/10

Editing: 4/10

Sound: 7/10

Score/Soundtrack: 7/10

Production Design: 7/10

Casting: 7/10

Effects: 7/10


Overall Score: 5.4/10


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