Bros synergizes varied humor (references, irony, parody, situations, and self-deprecation) with genuine romance (adding vulnerability, relatability, and insight). Bros highlights LGBT experiences, but its mature look at sexuality and partnership is universal. There's natural dialogue (with witty banter and dramatic monologues), consistent setups, layered characters, legitimate conflicts, nuanced themes, and believable arcs. The plot is formulaic, but that's arguably a homage. Finally, the acting has timing, honesty, depth, chemistry, range, and motivation. It's broader and less diverse than some hoped (being cis white male centric), but Bros is still sharp, sincere, and progressive.
Technically, Bros is sufficient. Its direction blends tones with confidence, light surrealism, and charm. The editing employs cutaways, rhythm, pacing, jump cuts, split screens, montages, inserts, and frame rates for comedy. The music is juxtaposing, satirical, eclectic, and trans-diegetic. The sound has symbolic ambiance, muting, and voiceovers. Also, there are differentiated costumes, passable visuals, and some minor effects. Finally, the cast is predominantly LGBT (even in heterosexual roles), which is a meta statement. Overall, Bros isn't a filmmaking wonder or equality's final destination, but it's one of the funniest films of the year, heartfelt, and a step in the right direction.
Writing: 9/10
Direction: 7/10
Cinematography: 5/10
Acting: 8/10
Editing: 7/10
Sound: 6/10
Score/Soundtrack: 7/10
Production Design: 6/10
Casting: 9/10
Effects: 6/10
Overall Score: 7.0/10
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