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Writer's pictureGus Keller

CODA



CODA is progress. The plot is formulaic, but it portrays an underrepresented community. Depicting complex deaf characters with legitimately deaf actors, CODA deserves recognition. Plus, the story has real obstacles, effective arcs, and touching conversations. Its convenient conclusion slightly undermines its conflicts, but the catharsis still feels earned. Ultimately, CODA displays atypical life in a world built for typical abilities, a poignant message. Furthermore, the acting elevates the material. Jones is wholly relatable, Derbez is eccentrically heartfelt, and Matlin, Kotsur, and Durant communicate various waves of nonverbal emotion. Thus, the script's shortcomings are outweighed by its dramatic impact.


Meanwhile, CODA's filmmaking is above average. The cinematography uses attractive framing to convey significance, the editing utilizes intercutting during the climax, and the production design sets a humble tone. The soundtrack is an integral part of the narrative, heightening emotions and creating a nostalgic mood. Also, the sound design uses symbolic silence to show how deaf people can feel disconnected from the hearing community. Therefore, CODA might not be a technical masterclass, but it remains powerful for its meaningful use of relevant mediums. It isn't a perfect film, but CODA is clearly a valuable experience.


Writing: 8/10

Direction: 8/10

Cinematography: 7/10

Acting: 9/10

Editing: 7/10

Sound: 9/10

Score/Soundtrack: 9/10

Production Design: 7/10

Casting: 9/10

Effects: 6/10

Overall Score: 7.9/10

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