Drop

Drop has an identity crisis. It starts with a cat-and-mouse mystery plus potential domestic abuse themes. Though generic, the drama earns vulnerability. Its setup, dialogue, motivations, and tension are properly executed. However, the story undoes all that with a shlocky third act. Losing restraint, the writing devolves into contrivances, cliches, and farce. Even its arc feels superficial, not unpacking the deeper value of self-worth. These pitfalls are especially disappointing because they directly undermine the contained plot and serious topics. Its acting provides chemistry as well as layers, but tonal consistency is impossible here. Thus, Drop is a missed opportunity.

Technically, Drop maintains engagement through crafty flourishes yet loses itself in the end. Motivated angles, focus, lighting, and movement help keep the cinematography fresh. Despite a clumsy finale, its editing builds moderate momentum via pace shifts plus inserts. Plenty of subjective distortions in the forms of emphasis, muffling, muting, and smash cuts elevate the soundscape. Although a bit incidental, its production design establishes a characterized location. With minimal fame, arbitrary fit, and weak diversity, the cast is rather underwhelming. In spite of fine stunts, its effects' cheap digital work become distracting. Ultimately, Drop's flaws obstruct its merits.

Writing: 4/10

Direction: 5/10

Cinematography: 7/10

Acting: 7/10

Editing: 6/10

Sound: 7/10

Score/Soundtrack: 6/10

Production Design: 6/10

Casting: 4/10

Effects: 5/10

Overall Score: 5.7/10

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