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Writer's pictureGus Keller

Nope



Nope recontextualizes blockbusters by critiquing the monetization of trauma. Its protagonists hope to make money off their terrorizer, but this is further seen in the characters who attempt to tame predators (a metaphor for capitalizing on beastly emotions). Plus, the protagonist is named OJ (referencing a famous murderer), and literally looking at the predators becomes an important plot point (suggesting the virtue of ignoring morbid spectacles). Thus, Nope is a meta contemplation of our insidious addiction to entertainment. The addition of nuanced acting, distinct characters, and a cohesive mood makes it all the more sly and captivating.


Technically, Peele offers his trademark craft. There are interwoven timelines, redefined pop songs, underrated cast members, and symbolic production designs. The visuals employ composition, steady motion, suggestive framing, and implicating space. The effects use plenty of CGI, stunts, and blood. Also, the sound has unique designs and detailed mixing. There are alien noises, distorted screams, split cuts, symbolic echoes, and impactful audio over black. Finally, Peele's unifying direction oversees unsettling undertones, rising tension, consistent payoff, and fascinating mystery. Overall, Nope is another strong project from a filmmaker known for injecting entertainment with meaning.


Writing: 9/10

Direction: 9/10

Cinematography: 8/10

Acting: 8/10

Editing: 8/10

Sound: 9/10

Score/Soundtrack: 8/10

Production Design: 8/10

Casting: 8/10

Effects: 9/10


Overall Score: 8.4/10

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