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Writer's pictureGus Keller

Prey



Prey isn't brilliant, but lands key elements. First, the script establishes distinct protagonists with defined arcs. Plus, the stakes are very intimate, so the danger is relatable and investment is sincere. These characters are generic and their evolutions are predictable, but it's all tastefully executed. Meanwhile, the distant past setting is refreshing for the franchise. Otherwise, Prey is pretty standard since its conflict is essentially a remake. There are no surprises, the payoff comes a bit too easily, and the plot armor undermines some of the tension. Nevertheless, the premise is still effective and it's a net positive that Prey returns to the basics.


Technically, Prey is decent. Its CGI makes unconvincing animals but enhances violence. Its visuals provide appealing angles, movements, and scenery. Its editing is well-paced. The music reinforces the atmosphere. The acting is solid, even if vulnerable scenes aren't prioritized. The production utilizes fitting locations, the cast is legitimately Native American, and the direction is focused. Finally, the sound fuses science fiction, primal action, and dramatic symbolism. Prey is surprisingly personal, and its detailed audio elevates emotions while strengthening intimacy. Ultimately, none of Prey's ingredients are original, but they're reliable and properly blended.


Writing: 5/10

Direction: 6/10

Cinematography: 7/10

Acting: 7/10

Editing: 6/10

Sound: 8/10

Score/Soundtrack: 6/10

Production Design: 7/10

Casting: 7/10

Effects: 6/10

Overall Score: 6.5/10

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