Bones and All challenges viewers with contrasting emotions. Its open-ended script allows for interpretable themes. The plot could be a metaphor for addiction, poverty, sexuality, being different, or destructive consumerism. Ultimately, these protagonists have been condemned to unchosen lives of compulsion, self-hatred, compromised morality, isolation, and strained survival. Meanwhile, characters are significant, dialogue is natural, tension is subtle, and the setting is weighty. Plus, the acting is conflicted, layered, raw, believable, vulnerable, intense, melancholy, and understated. There is also great chemistry in the core romance. Consequently, Bones and All is tragically human.
Technically, Bones and All is elegantly gritty, retro yet genre-bending. The visuals use film gauges, movement, composition, desaturation, focus, space, and varied lighting. Its production design is grungy and desperate. The editing employs dissolves, jump cuts, intercuts, smash montages, and deliberate pacing. Its audio is atmospheric and visceral, adding split cuts, narration, detailed violence, symbolic diegetics, stings, non-diegetics, and silence. The fitting cast is recognizable and the practical effects are vivid. Lastly, the unconventional music is restrained, unsettling, and heartfelt, perfectly harmonizing the inventive tones. Overall, Bones and All is refreshing and honest.
Writing: 9/10
Direction: 10/10
Cinematography: 9/10
Acting: 10/10
Editing: 8/10
Sound: 9/10
Score/Soundtrack: 10/10
Production Design: 8/10
Casting: 8/10
Effects: 9/10
Overall Score: 9.0/10
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