Boy Kills World balances its formulaic plot and simple protagonist with world-building, satire, and internal conflicts. Its dystopia is shallow but comments on classism, media, and manipulation. This is accentuated by absurdist black comedy. Meanwhile, the personal struggle within the main character is standard, yet earned and heartfelt. Thus, the trifecta of plot, themes, and drama are all sufficient. Throw in some playful twists, gags, and gimmicks, and the result is a slightly above-average story (despite its obvious exposition). Plus, the acting commits to ample facial expressions, physicality, sincerity, and intensity. Consequently, Boy Kills World produces acceptable buy-in.
Boy Kills World might be too much for some yet it maximizes surrealism, coordination, and tone. The hyper imagery magnifies energy. Its editing can get indulgent but offers bold inserts, montages, pacing, transitions, flashbacks, wipes, and intercuts. The sound is dense with distortions, symbolism, violence, and too many voiceovers. Its eclectic music uses juxtaposition to exaggerate moods. The production design adds color motifs, Eastern influences, and minor steampunk vibes. Its cast has marginal fame, great fit, diversity, and decent depth. The effects rely too heavily on CGI, but also supply visceral stunts and prosthetics. Overall, Boy Kills World is consistently potent.
Writing: 6/10
Direction: 8/10
Cinematography: 8/10
Acting: 7/10
Editing: 8/10
Sound: 8/10
Score/Soundtrack: 7/10
Production Design: 8/10
Casting: 7/10
Effects: 8/10
Overall Score: 7.5/10
Comments