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Deadpool

Writer's picture: Gus KellerGus Keller


Both common and clever, Deadpool mixes generic ingredients (crude humor and an origins plot) into a refreshing blend. The meta-awareness and saucy protagonist help it hit the same-but-different balance that wide audiences want. Its subversive satire is debatable (spoofing yet employing tropes), and the jokes value quantity over quality. However, its earned romance gives the story substance and variation. This drama isn't complex, but it's specific and develops motivations. There's quippy dialogue, setup/payoff, and dispersed exposition. Meanwhile, Reynolds anchors his larger-than-life snark with vulnerable touches. Thus, Deadpool's novelty neutralizes its conventionality.


Deadpool constructs clear tones and set pieces. Despite drab colors and standard drama scenes, the imagery uses serviceable framing. Its editing elevates momentum through brisk pacing, timeline jumping, and a concise runtime. Genre elements, voiceovers, and distortions create a proactive soundscape. Its music harnesses needle drops to establish humorous juxtaposition. The production design feels a bit plain outside the core superheroes. Besides the perfect casting of Reynolds, everyone is replaceable. The effects combine stunts, significant makeup, and spotty CGI for fun violence. Altogether, Deadpool's competence is buoyed by its exciting brand of irreverent commercialism.


Writing: 8/10

Direction: 8/10

Cinematography: 6/10

Acting: 8/10

Editing: 8/10

Sound: 8/10

Score/Soundtrack: 8/10

Production Design: 7/10

Casting: 9/10

Effects: 7/10


Overall Score: 7.7/10


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