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Writer's pictureGus Keller

Do Revenge



Do Revenge's concept of a dark satire on social politics is interesting, but its execution is lacking. Plot developments are weightless, characters don't arc, dialogue is contrived, and humor is mediocre. Both protagonists are antiheroes in an unrelatable setting, making them difficult to root for. That's intentional, but those intentions aren't always clear. Plus, their inconsistent growth makes the positive ending feel insincere. In fact, that empty platitude conclusion is exactly what Do Revenge aims to satirize, so it completely undermines itself. Mendes enjoys her vindictiveness and Hawke does alright with her gear shifts, but Do Revenge is ultimately better in theory.


Similarly, Do Revenge shows technical flashes that will leave viewers wanting. The cinematography implements some overheads, focus, and color. Its editing utilizes chapters and punctuates a moment with increasingly rapid cuts. The sound provides a scene of abstract ringing/echoes, the production design employs juxtaposing costumes, and the trendy music spans several decades. However, this is all sporadically effective. Meanwhile, the cast is known from television and the spotty effects are minor. Overall, because there isn't a cohesive tone, style, or message, Do Revenge dilutes its highlights. It has solid goals but it's a missed opportunity.


Writing: 4/10

Direction: 4/10

Cinematography: 6/10

Acting: 6/10

Editing: 6/10

Sound: 6/10

Score/Soundtrack: 7/10

Production Design: 6/10

Casting: 5/10

Effects: 5/10

Overall Score: 5.5/10

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