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Writer's pictureGus Keller

Don't Worry Darling



Don't Worry Darling pairs flawed substance with sturdy style. Its script is entirely buildup, making the structure repetitive and payoff thin. Threads lead nowhere, choices are blunt, elements are unclear, and side characters are flat. Even the core relationship feels underdeveloped and the reveal is disappointing. Still, Darling maintains merit through an engaging mystery and relevant themes of gaslighting, objectification, and autonomy (even if they're not fleshed out). Furthermore, Pugh is forceful and Pine elevates his role. There's eerie tension, psychology, and duplicitous acting. It isn't particularly rewatchable or as deep as it hopes, but Darling's drama is defensible.


Conversely, Darling has careful craft. Its direction implements surrealism, uniformity, and symbolism. Primarily, this is done with rhythmic inserts, montages, and smash cuts. Also, the sound contributes consistent split cuts, risers, stings, layers, and distortions. The detailed production design creates an era and a creepy artificiality. The music is fitting, juxtaposing, and unsettling. Its visuals utilize color, framing, motion, and especially lighting. Finally, there are diverse effects and a deep cast. Consequently, Darling has an effective foundation that will encourage investment. Overall, Don't Worry Darling's key issues are polarizing, but its virtues are evident.


Writing: 5/10

Direction: 7/10

Cinematography: 7/10

Acting: 8/10

Editing: 8/10

Sound: 8/10

Score/Soundtrack: 7/10

Production Design: 8/10

Casting: 8/10

Effects: 7/10

Overall Score: 7.3/10

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