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Writer's pictureGus Keller

Drive



Drive wraps turbulent drama under a sleek exterior. It has themes of impulse, control, nature, isolation, masculinity, constructs, violence, identity, duality, and idealization. There's foreshadowing, subtextual dialogue, complex characters, juxtaposition, motivation, motifs, and a bittersweet ending. The plot critiques hero tropes, mirrors internal conflicts, and is wholly earned, suspenseful, and surprising. Its acting brings stoicism, layers, tension, chemistry, nonverbals, intensity, loneliness, instability, nuance, and restraint. Ultimately, Drive condenses potent feelings into intuitive actions. It's so evocative that even viewers who don't understand it will be moved.


Technically, Drive is mesmerizing. The surreal imagery uses oners, steady motion, composition, color, lighting, angles, and spacing. Its patient editing adds pacing, inserts, dissolves, montages, intercuts, slo-mo, and cooldowns. The sound offers split cuts, parallels, muffling, motifs, visceral action, and intimacy. Its iconic music is themed, atmospheric, restrained, pulsing, contrasting, and emotional. The production design has cityscape grit, informative cues, symbols, detail, and timelessness. Its cast is skilled, famous, and optimized. The effects utilize stunts, makeup, blood, and gunshots for brutal violence. Overall, Drive is a methodical, meaningful, and vivid aesthetic force.


Writing: 9/10

Direction: 10/10

Cinematography: 10/10

Acting: 10/10

Editing: 10/10

Sound: 10/10

Score/Soundtrack: 10/10

Production Design: 9/10

Casting: 9/10

Effects: 8/10


Overall Score: 9.5/10

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