Drive-Away Dolls has flavorful characters, internal/external conflicts, witty dialogue, motivated exposition, and absurd humor. There are themes of sexuality, progressivism, and spontaneity. The acting is charismatic, exaggerated, physical, and relatable. It blends a marginalized perspective with genre tropes. Still, the messages are mild, protagonists are one-note, and drama is slight. Its central romance is predictable and painless. Besides the wackiness of the MacGuffin, the plot is thin and generic. Instead of juxtaposing, its screwball comedy overpowers sincere emotions, tension, or stakes. Overall, Drive-Away Dolls' elusive vulnerability offsets its honorable intentions.
Drive-Away Dolls offers playful camp, psychedelic interludes, and uneven tones. The imagery uses framing, angles, color, lighting, focus, and motion. Its editing utilizes flashy transitions, inserts, wipes, match cuts, and a short runtime. The sound adds emphasis, split cuts, action, distortions, diegetics, and muffling. Its music heightens mood through needle drops, timing, and jazzy scoring. The production design creates varied characters, a time period, and a sense of location. Its cast has up-and-comers, representation, talent, fit, and cameos. The effects employ blood, makeup, stunts, and prosthetics. Ultimately, Drive-Away Dolls' clever style is enjoyable but inessential.
Writing: 7/10
Direction: 7/10
Cinematography: 8/10
Acting: 7/10
Editing: 8/10
Sound: 8/10
Score/Soundtrack: 7/10
Production Design: 7/10
Casting: 8/10
Effects: 7/10
Overall Score: 7.4/10
Comments