Fresh is a flashy thriller. The story follows a young woman struggling with dating. She meets a charming man, but he isn't what he seems. Then, the plot takes extreme turns that are shockingly uncomfortable. Female objectification is examined, but that theme isn't fully prioritized or paid off. This social commentary is admirable, but its inconsistent follow through feels like an afterthought. Thus, the writing has good intentions but is primarily cheap excitement. Conversely, the acting is magnetic. Edgar-Jones shows stunning range, and Stan exhibits compelling charisma. Therefore, Fresh provides vivid emotions yet questionable substance, which will get mixed reactions.
Technically, however, Fresh is crystal clear. The film is energetic because the cinematography uses motion, framing, and focus to convey engaging messages. Plus, the sound is frequently symbolic, the editing is dynamic, and the catchy soundtrack is juxtaposition. The production design is simple but ominously chic. The effects could be more visceral but get the job done. Lastly, the direction deserves credit for the overall creative style, even if the tone is slightly uneven. Ultimately, Fresh pairs vibrant filmmaking with enough substance to make it a worthy experience. Some viewers might dislike its intensity, but everyone should respect its craft.
Writing: 5/10
Direction: 7/10
Cinematography: 9/10
Acting: 8/10
Editing: 9/10
Sound: 9/10
Score/Soundtrack: 8/10
Production Design: 7/10
Casting: 6/10
Effects: 7/10
Overall Score: 7.5/10
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