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Writer's pictureGus Keller

Gone Girl



Gone Girl is a wild ride of deception. It's not Fincher's most intelligent project, but Gone Girl compensates with sheer entertainment. The story is about a man whose wife mysteriously disappears and the subsequent fallout. While it scrutinizes modern journalism, public opinion, and the legal system, its main focus is on twisted thrills. Ben Affleck believably portrays the layers of an unhappy man who needs to put on a wholesome appearance, while Rosamund Pike brings an extreme dynamic that is impossible to ignore. Thus, this film is emotionally driven by its puzzling plot, but that's supported by digestible themes and strong performances.


Plus, Fincher continues his filmmaking excellence. Gone Girl isn't his best work, but there are still plenty of technicals to admire. First, Trent Reznor's music is a perfect fit for Fincher's methodical nature. It never overtakes a scene, but the score is constantly serving the ominous atmosphere and mounting tension. Next, the cinematography is cool and collected like usual, adding in suggestive imagery to emphasize themes and feelings. Lastly, the editing weaves perspectives into an exciting narrative structure and intensifies action sequences with quick, successive blackouts. Ultimately, Gone Girl is a well-rounded production that should entertain most viewers.


Writing: 8/10

Direction: 10/10

Cinematography: 9/10

Acting: 8/10

Editing: 10/10

Sound: 8/10

Score/Soundtrack: 9/10

Production Design: 7/10

Casting: 9/10

Effects: 8/10

Overall Score: 8.6/10

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