Good Time is authentic danger, a day on the edge. Its protagonist breaks several laws, staying a step ahead of impending doom. The plot is continually tense, the dialogue cuts, and the atmosphere is raw. Despite its grisly exterior, the script is hypnotic because of its emotional undertones. Characters are despicable yet understandable, humanizing the underbelly of society. While Good Time depicts heinous acts, it suggests that they're products of a corrupt environment. Safdie shows bottled vulnerability, Lee is unhinged, and Pattinson is forcefully cold. Thus, Good Time is a whirlwind of drama that will grip viewers to their cores.
Meanwhile, Good Time is technically precise, subtly igniting its gritty atmosphere. First, the cinematography uses extreme framing, snap zooms, lighting, and shaky cams. These techniques intensify tension and convey unity. Next, the editing is naturalistic with fragmented punches, producing an uneasy mood. Plus, sound builds chaos, production is unsightly, and effects heighten brutality. Lastly, the soundtrack is nostalgic, ominous, and emotional. Its bittersweet finale is perfect. Overall, Good Time is potently anxious, yet real and familiar. Furthermore, its retro touches are timeless, which fits its systemic themes. Undoubtedly, Good Time is aggressively memorable.
Writing: 10/10
Direction: 10/10
Cinematography: 9/10
Acting: 9/10
Editing: 9/10
Sound: 8/10
Score/Soundtrack: 10/10
Production Design: 8/10
Casting: 8/10
Effects: 7/10
Overall Score: 8.8/10
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