Hit Man intertwines plot twists, shifting conflicts, wicked romance, tangled motivations, setup/payoff, and battles of wits. There's a satisfying balance of thrills and musings. The script connects themes like identity, change, passion, subjectivity, and performance. Still, the story feels like light entertainment because it focuses on a character study where, rather than arcing conventionally, the protagonist reveals inner layers. The acting brings this to life through a range of characters within characters, chemistry, and natural charm. The lacking vulnerability sometimes undercuts the tension, but that's replaced with dark humor. Overall, Hit Man is a fun, psychological romp.
Technically, Hit Man is proficient but slight. Its direction unifies contrasting tones and genres. The cinematography uses minor movement, depth, angles, and framing. Its editing is an almost contradictory blend of breezy momentum. The only advanced sound design choices are voiceovers, smash cuts, and a few distortions. Its music harnesses upbeat jazz for noir drama and comedic juxtaposition. Evolving costumes heighten the otherwise basic production design. Its surprisingly nonexistent effects suit this character-driven narrative. Finally, the cast is centered around Powell, who solidifies himself as a star with this varied role. Ultimately, Hit Man has mass appeal.
Writing: 9/10
Direction: 9/10
Cinematography: 7/10
Acting: 9/10
Editing: 8/10
Sound: 7/10
Score/Soundtrack: 8/10
Production Design: 7/10
Casting: 9/10
Effects: 6/10
Overall Score: 7.9/10
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