I Saw the TV Glow cryptically weaves together nuanced drama, intense themes, and a metaphorical plot. Still, the emotions are always palpable, subconsciously striking viewers. Its characters are well-developed by their relationships, internal conflicts, and decisions. The narrative is a self-referential homage and a coming-of-age allegory, dense with ideas like identity, media, escapism, trauma, connection, nostalgia, and suppression. Its performances bring tremendous authenticity, chemistry, vulnerability, layers, intensity, and mannerisms. The script anchors this unique unpredictability through discrete foreshadowing. Consequently, I Saw the TV Glow gets under your skin.
Technically, I Saw the TV Glow experiments with genres, tones, and motifs. The beautiful yet purposeful cinematography uses pronounced composition and vibrant lighting. Its editing constructs a dreamlike structure. The immersive sound adds distortions, symbolism, and intimacy for a subjective experience. Its music is highly emotional, eclectically punctuating moods. The thematically motivated production design establishes an aesthetic of heightened nostalgia. Its cast has marginal fame, extreme fit, meta representation, and underrated skill. The effects underscore surrealism through prosthetics, graphics, CGI, and makeup. Overall, I Saw the TV Glow is an abstract work of art.
Writing: 10/10
Direction: 10/10
Cinematography: 10/10
Acting: 9/10
Editing: 9/10
Sound: 9/10
Score/Soundtrack: 9/10
Production Design: 9/10
Casting: 8/10
Effects: 8/10
Overall Score: 9.1/10
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