Edgar Wright has matured as a filmmaker. Last Night in Soho isn’t as overtly flashy as his previous work but it makes up for that by being more cinematic. The lighting, sound design, and music are all utilized to even higher levels than his already lofty standards. This makes Last Night in Soho a symphony of sound and color that will satisfy viewers who have come to expect plenty of pizazz from Wright’s films.
On top of that, Last Night in Soho is surprisingly substantial, tackling the very serious topic of female exploitation. This is embodied by worthy performances throughout the cast (especially from Thomasin McKenzie). Edgar Wright movies are known for being humorous with accents of drama, but Last Night in Soho lands as a drama with dashes of humor. Throw in the trippy dream elements that are highlighted with potent cinematography and special effects, and we have an exciting new phase of Wright’s career that holds on to his signature energy. Overall, Last Night in Soho is a provocative evolution of a great artist.
Writing: 8/10
Direction: 10/10
Cinematography: 10/10
Acting: 8/10
Editing: 9/10
Sound: 10/10
Score/Soundtrack: 10/10
Production Design: 8/10
Casting: 8/10
Effects: 8/10
Overall Score: 8.9/10
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