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Primate

  • Writer: Gus Keller
    Gus Keller
  • 2 hours ago
  • 1 min read

Starting with a high concept plus passably generic protagonists, Primate is decent schlock. However, it devolves into a shallow slasher plot. Consistent character moments or internal struggles would've helped greatly here. At least everything is rather concise, even if the drama is ultimately abandoned. There are abundant cliches, contrivances, disposable fodder characters, and blunt dialogue. Its climax is arbitrary because it doesn't connect to an arc or much foreshadowing. Without emotional growth, the story becomes repetitive in its second half. Still, its functional first half, the catchy premise, and a tight script carry Primate, stumbling, across the finish line.


Technically, Primate is more dependable. Despite succumbing to cheap jump scares alongside spotty gore, its direction maintains a steady tone. Though dark and drab, the cinematography employs solid lighting, angles, and focus. Waning momentum and overcut action aside, its editing's short runtime is a primary strength. Gimmicky stings are offset by convincing violence as well as interesting silence via the soundscape. Its production design has a relatively notable beach house. Besides Kotsur, the cast is replaceable. Refreshingly, its practical effects go a long way towards establishing a visceral experience. Overall, Primate is equal parts forgettable and acceptable.


Writing: 3/10

Direction: 5/10

Cinematography: 6/10

Acting: 6/10

Editing: 6/10

Sound: 7/10

Score/Soundtrack: 6/10

Production Design: 6/10

Casting: 5/10

Effects: 9/10


Overall Score: 5.9/10


 
 
 

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