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Writer's pictureGus Keller

Look Both Ways



Look Both Ways is empty, trivializing serious topics. Unplanned pregnancies, competitive career paths, and relationship difficulties can be lifelong struggles, yet Look Both Ways treats them as minor inconveniences that require no growth. Characters are never challenged to evolve, always conveniently succeeding in the end. Dialogue is obvious, humor is lame, plot points are cliche, and protagonists are flat tropes. Plus, the acting is generic and forced. It might distract some viewers, but it ultimately sends the underlying message that our problems aren't real and life should come easy. Therefore, Look Both Ways is predictable at best and toxic at worst.


Technically, Look Both Ways is equally uninspired. Its cinematography is basic and bland. Its sound design shows little thought. Its effects are minor, yet awkwardly subpar. The editing has split screens, passing cuts, intercuts, and montages, but they're rarely meaningful. Meanwhile, the music is generic, the cast is forgettable, and the production design is a disjointed combination of sterile mediocrity and product placements. Plus, the direction is voiceless, delivering oversimplified tones, routine presentations, and an underwhelming experience. Thus, Look Both Ways has the originality and value of a Lifetime movie. Overall, this film is a sanitized distortion of entertainment.


Writing: 2/10

Direction: 2/10

Cinematography: 4/10

Acting: 4/10

Editing: 5/10

Sound: 4/10

Score/Soundtrack: 3/10

Production Design: 2/10

Casting: 3/10

Effects: 4/10

Overall Score: 3.3/10

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