Oldboy is ideal foreign cinema. Its structure is familiar, but its creativity is transformative. Generally, American films aren't brave enough to highlight taboo topics, conclude ambiguously, or get surreal. Because Oldboy dares to go there, it's a blast of fresh air. Its premise is strange and captivating: a man is mysteriously imprisoned in a motel-like room for fifteen years and suddenly released with no clue why. From there, the protagonist searches for answers and revenge. Through this journey, we consider themes of truth, acceptance, and self-fragmentation. Although it's packed with action and mystery, Oldboy is driven by its psychological examinations.
Meanwhile, Oldboy is a technical force. First, its cinematography heightens the visceral atmosphere. Contrast, focus, methodical camerawork, and diverse shots (such as overheads, close-ups, and Dutch angles) contribute to an intense experience. Next, the editing is nonlinear, abstract, and stylized (using techniques like jump cuts, match cuts, and slow-motion to accentuate the action or drama). Plus, there's an iconic fight scene shown in a single, extended shot. Furthermore, the incorporated music adds melancholy juxtaposition, the abstract sound is emotionally impactful, and the special effects are magnifying. Overall, Oldboy is a unified vision that will leave a striking impression.
Writing: 10/10
Direction: 10/10
Cinematography: 10/10
Acting: 10/10
Editing: 10/10
Sound: 9/10
Score/Soundtrack: 9/10
Production Design: 8/10
Casting: 8/10
Effects: 9/10
Overall Score: 9.3/10
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