Starting with a trope premise, Somebody I Used to Know plays with conventions to find thoughtful conclusions. There are meaningful arcs, setup/payoff, complex characters, nuanced emotions, and witty comedy. The script has problems (namely, the protagonist isn't as forgivable as the film wants), but it challenges typical rom-coms with a sincere voice. Plus, the acting has real timing, layers, physicality, chemistry, range, and vulnerability. These performances go a long way towards legitimizing the unusual mixture of moods. Overall, Somebody I Used to Know doesn't address every implication of the cliches it invites, but it tackles enough to feel insightful and progressive.
Technically, Somebody I Used to Know is adequate. Its unorthodox tones are messy but the ending is clear. The editing adds a smash cut, montage, and intercut to a well-paced structure. Its visuals apply some movement, framing, lighting, focus, and reflections. The production design contrasts showbusiness with rustic small-town living. Its music is fitting, reinforcing, and complete with a strong callback. Meanwhile, the effects are minimal, the sound has a great split cut, and the diverse cast has fun character actors. Ultimately, the filmmaking does enough to support Somebody I Used to Know's refreshing genre remodeling. It isn't groundbreaking but there's plenty to respect.
Writing: 8/10
Direction: 7/10
Cinematography: 6/10
Acting: 8/10
Editing: 6/10
Sound: 5/10
Score/Soundtrack: 7/10
Production Design: 6/10
Casting: 7/10
Effects: 5/10
Overall Score: 6.5/10
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