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Writer's pictureGus Keller

Spider-Man: Far From Home



On a technical level, Spider-Man: Far From Home is quite similar to its predecessor. Because of the globetrotting element, the production design is slightly grander, but not enough to shift that grade. Also, the cast is debatably better but essentially equal. Furthermore, the music, editing, cinematography, and effects all follow the formulas established in Homecoming. Really, the only noticeable technical difference here is the lack of symbolic sound design. Simply put, the filmmaking of Far From Home is almost identical to that of Homecoming.


However, Far From Home does have key emotional differences. First, this script has less heart because the personal conflict isn't as impactful. Yes, Parker struggles to balance his work/private life, but he never takes a step backwards with MJ. Compared to Homecoming (where Spider-Man's ascension is earned), this Parker/MJ arc feels soft. Meanwhile, this neutralized writing limits the dynamics of Holland's performance. Thankfully, Gyllenhaal's force cancels out that shortcoming. Conversely, because Far From Home nails some satisfying hallucination scenes, the direction deserves more praise. In sum, Far From Home parallels Homecoming and is another enjoyable piece of the Spider-Man web.


Writing: 6/10

Direction: 7/10

Cinematography: 7/10

Acting: 8/10

Editing: 7/10

Sound: 7/10

Score/Soundtrack: 7/10

Production Design: 8/10

Casting: 9/10

Effects: 8/10


Overall Score: 7.4/10

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