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Writer's pictureGus Keller

Spiderhead



Spiderhead is promising sci-fi that's spread too thin. Originally a short story, it would've worked better as a Black Mirror episode. Still, there are consistent themes, motivations, and developments. Hemsworth shows layered range, the cast portrays extreme mood swings, and Teller provides quiet sadness. Furthermore, everyone is conflicted, surrendering autonomy to external influences (like drugs, coercion, and trauma). Unfortunately, these insightful themes, metaphorical premises, and dynamic characters grow dull in a repetitive script. Thus, it's less smart than it hopes (despite a respectable attempt). Overall, Spiderhead supplies interesting ingredients but misses its potential.


Technically, Spiderhead is solid. Visual close-ups, movements, filters, mounts, and lighting are aesthetic, yet inconsistently meaningful. Meanwhile, sleek designs match themes yet sometimes look cheap. Similarly, the limited effects sporadically support but also distract. Conversely, successful intercutting and dissolve edits convey drama. Also, recontextualized pop music sets a lively mood with ominous undertones. Lastly, utilized echoes, J-cuts, crashes, and futuristic sounds heighten atmosphere and emotions. Ultimately, Spiderhead has detail, but its muddled tone, pacing, and drama fumble relatability. Still, Spiderhead should satisfy sci-fi enthusiasts, even if it's forgettable.


Writing: 6/10

Direction: 6/10

Cinematography: 6/10

Acting: 8/10

Editing: 8/10

Sound: 8/10

Score/Soundtrack: 8/10

Production Design: 7/10

Casting: 8/10

Effects: 6/10

Overall Score: 7.1/10

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