Split has pulpy fun and attempts at themes. Yet, its mix of sensational thrills with serious topics can feel exploitative. There's forced dialogue, contrivances, and an exposition B-plot. Its messages about trauma, self-belief, and purity lack depth. Still, it's concise with a high concept, setup/payoff, cat-and-mouse tactics, motivation, symbolism, intimate scale, and (arguably out-of-place) supernatural elements. Meanwhile, the film's unconditional strength is its acting. McAvoy showcases heightened range and buried vulnerability, while Taylor-Joy foils him with internalized intensity. Altogether, Split's controversial substance is hidden by its well-executed entertainment.
Besides its clashing tones, Split's sleek technicals serve the tension. Its cinematography creates composition with focus, motion, POVs, lines, framing, and angles. Through tight pacing, inserts, and parallel threads, the editing generates suspense. Its sound has smash cuts, distortions, split cuts, risers, match cuts, silence, and violence. The restrained music tactfully reinforces moods. Although (purposefully) confined, its production design conveys characters. Despite being restricted in size, the cast is led by famous talent. Its effects are limited but weighty, bringing a few stunts, brief blood, and minimal makeup. Ultimately, Split is an elevated guilty pleasure.
Writing: 5/10
Direction: 6/10
Cinematography: 8/10
Acting: 9/10
Editing: 8/10
Sound: 8/10
Score/Soundtrack: 8/10
Production Design: 7/10
Casting: 8/10
Effects: 7/10
Overall Score: 7.4/10
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