The Batman is a compelling spin on the iconic character. This story has been done so frequently that it's hard to make it unique, yet The Batman distinguishes the character by focusing on his detective side. The Riddler serves that angle well, presenting puzzles for Wayne to crack and solidifying the movie's noir tone. Meanwhile, this is the most damaged film version of Wayne there is. His character is slightly monotonous (more dramatic outbursts would've been nice), but Pattinson elevates that material with wounded postures and troubled looks. Plus, Dano, Kravitz, Farrell, and Wright all deliver fascinating performances, keeping the emotional spectrum dynamic.
Furthermore, The Batman has assured craft. The production is realistically grimy, serving the corruption plotline. The music is imposing and melancholy, melding the sorrowful mood with its glimmer of hope. The cinematography uses attached camerawork, overheads, focus changes, and distinct colors to heighten intensity, intrigue, and atmosphere. Lastly, The Batman's unexpected highlight is its sound because of rich combat, ominous introductions, and abstract climaxes. Often, Batman's intimidating footsteps are heard before he emerges, and silence signifies overwhelmed characters. Ultimately, The Batman isn't the best in its illustrious franchise, but it's still an exceptional experience.
Writing: 8/10
Direction: 8/10
Cinematography: 9/10
Acting: 8/10
Editing: 8/10
Sound: 10/10
Score/Soundtrack: 9/10
Production Design: 9/10
Casting: 9/10
Effects: 8/10
Overall Score: 8.6/10
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