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Writer's pictureGus Keller

The Outrun



The Outrun is intimate. Its thin plot is offset by robust drama, emphasizing an internal journey with alcoholism. There are glimpses of the protagonist's trauma, romance, rehab, and relapse. Yet, the story explores the aftermath as she seeks peaceful solitude. Connecting with nature and simplistic living, she discovers herself through smaller moments. Though subtle, this yields rich themes and symbols. Plus, Ronan delivers a complete performance of intensity, vulnerability, and catharsis. While she could've easily become excessive, she anchors everything in honesty. Some might find it slight or meandering, but minimalism is the point. Thus, The Outrun is refreshingly grounded.


Technically, The Outrun is immersive. Although possibly confusing, the nonlinear editing reflects the processing of psycho-emotional baggage. Its cinematography is personal with close-ups, shallow focus, and spacing. Despite being primarily ambient, the audio consistently pops with subjective distortions. Moody scoring, diegetic techno, quiet, and a stirring crescendo blend into an eclectic yet cohesive soundtrack. The production design creates a specific sense of place and conveys informative details. Its cast is centered around Ronan's rising stardom. Brief but impactful, the effects add makeup, animation, and animal stunts. Overall, The Outrun is potent in its delicacy.


Writing: 8/10

Direction: 9/10

Cinematography: 9/10

Acting: 10/10

Editing: 9/10

Sound: 9/10

Score/Soundtrack: 8/10

Production Design: 8/10

Casting: 7/10

Effects: 7/10


Overall Score: 8.4/10


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