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The Prestige

  • Writer: Gus Keller
    Gus Keller
  • 1 hour ago
  • 1 min read


Meta, The Prestige uses layered storytelling to examine layered storytelling itself. Driven by mystery, the plot is an escalating personal conflict. Because of its detailed setup/payoff, the resolution is intensely satisfying. Its dialogue conveys natural exposition plus recontextualized motifs. There are existential themes of truth, identity, and obsession. Though dislikable, its protagonists have defined motivations that grow into earned arcs. The acting provides impressive ranges of evolution, intensity, vulnerability, and subtle differentiation. Hiding clues in plain sight, the narrative is also highly rewatchable. Thus, The Prestige is captivating as well as philosophical.


The Prestige conveys a pensive tone through intricate patterns. Moody lighting, steady movement, and muted colors create sleek imagery. Though arguably convoluted, the editing thematically layers timelines via framing devices. Its sound provides punctuating voiceovers, genre elements, and emphasis. Despite being fairly indistinct, the music reinforces the atmosphere with melancholy strings. Its production design establishes an immersive era plus suggestive symbols. The cast is a compelling combination of star power, talent, and fit. Its effects are minor but include important touches of makeup and digital trickery. Overall, The Prestige remains an expertly calibrated experience.


Writing: 10/10

Direction: 10/10

Cinematography: 8/10

Acting: 10/10

Editing: 9/10

Sound: 8/10

Score/Soundtrack: 8/10

Production Design: 10/10

Casting: 10/10

Effects: 8/10


Overall Score: 9.1/10


 
 
 

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