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The Raid

Writer's picture: Gus KellerGus Keller


The Raid is concise. Its high concept is a pressure cooker of suspense, broken up with just enough drama, plot developments, and exposition to stay fresh. Characters are motivated and the stakes are clear. Themes are minimal yet ideas of corruption, survival, and identity are considered (if not fully unpacked). There's even a bit of foreshadowing, which propels the backstories by the time they arrive. Meanwhile, the acting isn't ranged or nuanced, but provides hefty doses of physicality, intensity, and realistic weaknesses. Altogether, The Raid's simplistic story has the necessary fundamentals, complementing its overarching goals of visceral and primal entertainment.


The Raid's tight choreography and varied set pieces create nonstop yet enjoyable tension. The imagery uses synchronized motion, lighting, and angles for a balance of style and clarity. Its editing generates potent momentum through inserts, montages, slo-mo, and precise pacing. Crisp combat, emphasized distortions, and silence heighten the sound. Its music supports the energy with restraint, atmospheric synths, and coordination. The production design offers a grungy location that's as memorable as any character. Its cast is highly fitting and career-defining. The effects offset mediocre CGI with incredibly intricate and abundant stunts. Ultimately, The Raid is an immersive powerhouse.


Writing: 7/10

Direction: 10/10

Cinematography: 10/10

Acting: 8/10

Editing: 10/10

Sound: 9/10

Score/Soundtrack: 8/10

Production Design: 8/10

Casting: 9/10

Effects: 9/10


Overall Score: 8.8/10


 
 
 

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