The Worst Person in the World uniquely blends romance with coming-of-age. Julie is a capable young adult, deciding what she wants out of life. After dating around, she falls for an older man. They get along, but their differing life stages produce differing desires. Consequently, Julie must define her long-term goals despite still developing. The Worst Person in the World is thoughtful because it tenderly addresses challenges of fulfillment, social acceptance, and self-discovery, all of which are extremely relatable. Plus, the film is never judgmental. Everyone means well, but some things aren't meant to last. This bittersweet vulnerability makes its existentialism extra powerful.
Technically, The Worst Person in the World is equally delicate. Subdued with surreal punches, the filmmaking reflects its material. The music is nostalgic and the editing cleverly designates chapters. Moving gently, the film uses soft lighting, ambient sound, and realistic locations. Meanwhile, the abstract sequences are invigorated by assorted effects, engaged camerawork, and intentional cuts. Despite venturing across the artistic spectrum, this movie remains cohesive through its grounded tone and focused messaging. Ultimately, The Worst Person in the World combines traditional and unexpected techniques to serve its sensitive narrative. Viewers should connect and appreciate its honesty.
Writing: 10/10
Direction: 10/10
Cinematography: 8/10
Acting: 10/10
Editing: 9/10
Sound: 8/10
Score/Soundtrack: 9/10
Production Design: 7/10
Casting: 8/10
Effects: 8/10
Overall Score: 8.7/10
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